madman

Madman is a comic book series set in one of the many parallel worlds existing in the Multiverse. Mike Allred is the creator of the Madman comic book and all its characters. Madman's world is particularly strange. It is a world where mutants, extraterrestrials and freaks run rampant. The comic book takes place in Snap City, which is home to the planet's only superhero: the Madman.

Contents [hide] 1 Character History 2 Antagonists 3 The Atomics 4 Publication History 5 Powers and Abilities 6 Collections 6.1 Trade paperbacks 6.2 Hardcovers 7 Appearances in other media 7.1 Film and Television 7.1.1 Madman the Movie 7.1.2 Action Figure 8 External links

[edit] Character History

Madman (aka Frank Einstein) is not your average hero. Named after Frank Sinatra and Albert Einstein, his name is also a pun on Frankenstein.

Frank was a hitman who was killed in a car accident, then stitched back together and brought to life by a pair of mad scientists, Dr. Egon Boiffard and Dr. Gillespie Flem. This resurrection leaves Frank with supernatural reflexes and a slight degree of precognitive and empathic power. Frank doesn't remember anything about his former life. Frank has only faint, troubling memories relating to his death. Madman's costume is based on the only thing he remembered from his past: a fascination with a comic book character called Mr. Excitement.

Frank Einstein now lives as a jack-of-all-trades wanderer, accompanied by a variety of allies. Only one of Frank's reanimators; Dr. Flem, is still around. Dr. Boiffard, in attempt to boost his brain power, transmuted his entire head into neural tissue, thus leaving him an invalid in a hospital. Despite the fact Frank has blue skin criss-crossed with Frankenstein-like scars, he has a steady girlfriend, a secretary by the name of Josephine Lombard aka Joe. Madman's other allies include Mott, an alien from the planet Hoople who was saved by Frank when the crazy alien, Zenelle, wanted to marry and eat Mott. Gale, an invisible female scientist who was tattooed by mutant clones and while attempting to remove the tattoos, became invisible. Astroman and Machina, a pair of robotic humanoids. Astroman was built to be an aid to Frank and was loaded with some of Frank's lost information. Astroman grew to love Frank's girlfriend, Joe, which made Machina very jealous. And finally, Marie and Warren, two artificial intelligences from the future.

Madman has also encountered Superman and Lois Lane once, due to a plot by the mischievous Mister Mxyzptlk where the two switched dimensions, becoming physical hybrids of each other, and then had to retrieve portions of Superman's powers, which had been doled out amongst various people across both worlds, including a spoiled little girl and the owner of a healthy fast food store. Finally, the two confronted Mister Mxyzptlk, with Madman defeating him in a game of Twister before tricking him into saying his name backwards.

[edit] Antagonists

One of Madman's primary enemies is Mr. Monstatd, his former employer (or so it is hinted). Madman has also fought runaway renegade robots from Dr. Flem's lab who were controlled by the mysterious and super-intelligent Factor Max. Other antagonists include the Mutant Street Beatniks, the Moonboys, the Puke, and the G-Men from Hell, Mattress and Crept. However, the G-Men are occasional allies, and several of the Mutant Street Beatniks become allies as well.

[edit] The Atomics

Former enemies, now allies, are the Mutant Street Beatniks who were originally just ordinary beatniks. When Mott first arrived he was being chased by Zenelle, a female alien from a species infamous throughout the galaxy for devouring their mates after the wedding night. Zenelle left behind a trail of spores as she tracked Mott through the city, exposure to which caused the beatniks to mutate into disgusting, warty versions of themselves. Zenelle fell in love with one of these mutants and carried him away, much to the relief of Mott.

Blaming Madman for their deformity, the Mutant Street Beatniks remained bitter enemies until they discovered that their deformation was simply the first stage of their mutation, which gave them super powers such as elasticity. Discovering these powers cleared up their skin condition, so they no longer hate Madman and have formed a super-hero team calling themselves The Atomics. Around this time, their missing comrade returned from space, revealing that Zenelle had actually fallen in love with him to the degree she went against her culture and refused to eat him. Because of the different time-flow between Snap City and Zenelle's planet, when their comrade returned he brought with him his teenage son, the product of his union with Zenelle.

[edit] Publication History

• Madman #1-3 (published by Tundra publishing). black, white and blue. 1992
• Madman Adventures #1-3 (published by Tundra Publishing). full color 1992-1993
• Madman Comics #1-20 (published by Dark Horse Comics). full color. 1994-1996
• Superman/Madman #1-3 (published by DC Comics and Dark Horse Comics). 1997
• Nexus Meets Madman one-shot (published by Dark Horse Comics). 1996
• Madman/The Jam #1-2 with Bernie Mireault (published by Dark Horse Comics). 1998
• The Atomics #1-15 (published by AAA Pop Comics)
• Mr. Gum one shot (published by Oni Press)
• It Girl one shot (published by Oni Press)
• Madman Picture Exhibition #1-4 (published by AAA Pop Comics). A collection of Madman pinups by various famous artists. 2002
• MADMAN KING-SiZE SUPER GROOVY SPECIAL (published by Oni Press) 2003
• MADMAN ATOMIC COMICS #1-Ongoing (published by Image Comics) 2007-Present

[edit] Powers and Abilities

Frank's resurrection altered his body giving him various supernatural abilities.

After his resurrection, Frank's mind possesses supernatural intuitive talent for learning things. This supernatutal ability allows him to instinctively learn any skill and gain knowledge at a superhuman rate.

Franks had also manifested numerous psionic abilities that border also on the supernatural. The first is psychometry, he can obtain information about an individual through paranormal means by making physical contact. Second is empathy, he has the paranormal ability sense the emotions of others also through physical contact. Last, Frank has the ability of clairvoyance. He is able to perceive the future, sometimes manifesting in vague dreams while asleep, other times have displayed in clear thought and had occurred at will. Unfortunately he does not have complete control over his psionic abilities.

Frank possesses supernatural physical coordination. His agility and reflexes are far superior to those of an ordinary human. His tendons and connective tissues are more elastic and his nerve endings transfer stimuli faster. In combination with his ability to learn new things and his psionic abilities, Frank can perform any feat of derring-do with ease.

[edit] Collections

[edit] Trade paperbacks

• Madman Comics: Yearbook '95 Dark Horse Comics (Collects MADMAN Comics #1-5) 1996
• The Complete Madman Comics Vol. 2 Dark Horse Comics (Collecst Madman Comics #6-10) 1996
• The Complete Madman Comics Vol. 3 (Originally Madman Comics 3: The Exit of Dr. Boiffard) Dark Horse Comics (Collects Madman Comics #11-15) 2000
• The Complete Madman Comics Vol. 4 (Originally Madman Comics: Heaven and Hell) Dark Horse Comics (Collects MADMAN Comics #16-20) 2001
• The Superman/Madman Hullabaloo! Dark Horse Comics (Collects The Superman/Madman Hullabaloo! #1-3) 1998
• Madman Boogaloo! Dark Horse Comics (Collects Nexus Meets Madman and Madman/The Jam #1 and #2) 1999
• Madman, Vol. 1: The Oddity Odyssey Oni Press - (Collects MADMAN #1-3) 2002
• Madman, Vol. 2: Madman Adventures Oni Press - (Collects MADMAN Adventures #1-3) 2002
• The Atomics: Spaced Out and Grounded in Snap City Oni Press - (Collects: It Girl one-shot; Mr. Gum one-shot; Spaceman one-shot; Crash Metro & the Star Squad one-shot) 2003
• Madman Vol. 1 Image Comics - (Collects MADMAN #1-3 and MADMAN Adventures #1-3) 2007
• Madman Vol. 2 Image Comics - (Collects MADMAN Comics #1-11) 2007
• Madman Vol. 3 Image Comics - (Collects MADMAN Comics #12-20 and MADMAN KING-SIZE SUPER GROOVY SPECIAL) 2007
• Madman & The Atomics Vol. 1 Image Comics - (Collects The Atomics 1-15) 2007

[edit] Hardcovers

• Madman Limited Edition Box Set Dark Horse Comics - (Collects MADMAN Comics #1-10) 1997
• The Atomics Super Deluxe Limited Edition [AAA Pop Comics] - (Collects The Atomics #1-15)
• MADMAN GARGANTUA HC Image Comics - (Collects MADMAN #1-3, MADMAN Adventures #1-3 and MADMAN Comics #1-20, MADMAN SUPER KING-SIZE GROOVY SPECIAL) 2007

[edit] Appearances in other media

[edit] Film and Television

• Allred did the artwork for the fictional Bluntman and Chronic comic in the film Chasing Amy (in which he appears in a cameo as himself). The pages were collected as part of the film's published screenplay, where one can see Madman in one panel beneath the light of the "blunt signal".

• Many have felt that the short-lived animated series Freakazoid! was plagiarism of Madman. There are undeniable similarities between the tones of the two series, as well as the designs of the titular characters (both wear skin-tight jump suit – of opposite colours to one another – with a chest emblem of an exclamation point). Throughout the run of the show, Allred remained silent. However, in 2003, he responded to the situation on the messageboard of his official website (See External Links below), saying that he did notice the similarities and asked for credit. He received no response, but he chose not to pursue legal action.

[edit] Madman the Movie

Main article: Madman (film)

• According to Allred, he was first offered the chance to sell the movie rights to Madman back in 1992 (he has not said who made the offer, only that he declined).

• Since 1998, film-maker Robert Rodriguez has owned the film rights to Madman. Both he and Allred have given numerous signals as to the start of production over the years with no result. Although both have been occupied with other projects (Allred was instrumental in connecting Rodriguez with Frank Miller, leading to the production of Sin City), both have been eager to see this film made.

At the 2006 WonderCon in San Francisco, Allred announced that Madman the Movie was in pre-production and hoped to begin filming before the end of the year. He teased fans in attendance by saying that the titular role had already been cast "but I can't tell you who it is yet... When we announce it, you're gonna be like 'What?', then you'll think about it for a second and see that it's perfect."

[edit] Action Figure

Madman's first action figure was a part of the Big Blast toy line from Graphitti Designs in 1998. The figure came in classic White with red lightening bolt as well as a Black Suited Variant with Yellow accents and lightening bolt. Wizard Entertainment offered a Variant of the Madman Big Blast toy without his traditional mask, showing Frank's face. Other toys in the line included Matt Wagner's Hunter Rose Grendel, Kevin Matchstick from Mage, and Christine Spar as Grendel. Also available were a Mike Mignolia Hellboy figure and a two-pack of Jay and Silent Bob from Kevin Smith's movies.

Madman appears as part of the first wave of the Legendary Comic Book Heroes action figure series in 2007, along with Judge Dredd, Savage Dragon, and Sara Pezzini of Witchblade.

[edit] External links

• The official Mike Allred site
• Interview with Mike Allred (from DarkHorse Comics site)
• Allred responding to the similarities between Madman and the show Freakazoid!
• Madman at Don Markstein's Toonopedia
• The Allred FAQ

Madman theory

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The Madman theory was the centerpiece of Richard Nixon's foreign policy

The Madman theory was a primary characteristic of the foreign policy conducted by U.S. President Richard Nixon. His administration, the executive branch of the federal government of the United States from 1969 to 1974, attempted to make the leaders of other countries think Nixon was mad, and that his behavior was irrational and volatile. Fearing an unpredictable American response, leaders of hostile Communist Bloc nations would avoid provoking the United States.

As Nixon told his White House Chief of Staff H. R. Haldeman:

"I call it the Madman Theory, Bob. I want the North Vietnamese to believe I've reached the point where I might do anything to stop the war. We'll just slip the word to them that, 'for God's sake, you know Nixon is obsessed about Communism. We can't restrain him when he's angry -- and he has his hand on the nuclear button' -- and Ho Chi Minh himself will be in Paris in two days begging for peace."^[1]

On October 1969, the Nixon administration indicated to the Soviet Union that "the madman was loose" when the Military of the United States was ordered to full global war readiness alert (unbeknownst to the majority of the American population), and bombers armed with thermonuclear weapons flew patterns near the Soviet border for three consecutive days.^[2]

The administration employed the "Madman strategy" to force the North Vietnamese government to negotiate a peace to end the Vietnam War.^{[citation needed]} Along the same lines, American diplomats (Henry Kissinger in particular) portrayed 1970 incursion into Cambodia as a symptom of Nixon's supposed instability.^{[citation needed]}

The Professor and The Madman [Simon Winchester]

March 16, 2008

Penulis/Author: Simon Winchester (199
Penerbit/Publisher: Serambi
Cetakan/Edition: Pertama, Januari 2007
Kategori/Category: Fiksi Dokumenter
ISBN: 979-22-1112-53-3

Beli di/Purchased at: Toko.Serambi.Co.Id
Harga/Price: Rp27,930

Buku ini ditulis dan didedikasikan untuk mengenang George Merret, seorang buruh asal Wiltshire yang mati tertembak di jalanan Lambeth pada Sabtu dini hari, 17 Februari 1872. George Merret memang bukan siapa-siapa, tetapi kematian pria ini menjadi titik tolak serangkaian kejadian lain yang melibatkan sang pembunuh, Kapten Purnawirawan Dr. William Chester Minor, seorang Amerika. Pemeriksaan atas Dokter Minor menyatakan bahwa Minor mengidap penyakit jiwa akibat perang. Dalam “sel”nya di rumah sakit jiwa inilah akhirnya Minor mengisi hari-hari penuh delusi dan mimpi buruk dengan melakukan kegiatan bermanfaat yang juga penting, yaitu membantu menyusun Kamus Oxford.

Buku yang ditulis bergaya narasi ini membawa pembaca menyusuri lika-liku sejarah pembuatan Oxford English Dictionary, mulai dari latar belakang, proses perekrutan orang-orang yang terlibat, pemilihan kata-kata, penyusunan isi dan tragedi-tragedi dibaliknya. Kamus mashyur OED memakan waktu kurang lebih 70 tahun dalam penyusunan seluruh edisi pertamanya dan merupakan monumen penting dalam sejarah leksografi dunia.

Meskipun didedikasikan kepada George Merret, novel ini disajikan dengan banyak sekali detail informasi berdasarkan dokumen sejarah seputar William Minor dan James Murray, seorang cendikiawan asal Inggris yang menjadi editor utama penyusunan OED, lengkap dengan tanggal, bulan dan tahun kejadian. Bagi pembaca yang kurang jeli (seperti aku), detail-detail seperti ini bukannya menambah pengetahuan, malah akhirnya cenderung terabaikan karena jumlahnya banyak sekali.

Bagi penggemar bacaan ringkas, novel ini akan terasa panjang karena penyajiannya yang dalam bentuk deskriptif naratif, penuh detail dan terkadang harus kembali ke periode-periode lebih awal untuk menceritakan hal lain yang juga penting. Contohnya dalam tiga bab pertama pembaca dikenalkan kepada tokoh-tokoh utama buku ini lengkap dengan latar belakang masa kecil dan kehidupan mereka, dan sebagai pembaca, aku mendapat kesan kalau penyusunan OED sudah berjalan. Dalam Bab Empat, penyusunan OED kembali ke titik nol dan dikisahkan lagi sejak permulaan gagasannya di tahun 1857. Dalam novel ini jarang sekali ditemukan bentuk dialog aktif yang dapat membuat cerita sarat informasi ini menjadi lebih mudah dinikmati.

Beberapa kesalahan cetak baik dalam ejaan nama/kata maupun susunan paragraf (lihat halaman 226, paragraf terakhir) dan pemilihan kata untuk terjemahan, agak tertutupi oleh tema novel yang memang sangat menarik. Bisa dibayangkan kerja keras dan riset penulis dan timnya untuk menyajikan karya luar biasa ini. Tak lupa, sebagai penutup, penulis juga (sempat) memberikan “Saran-saran Untuk Bacaan Lebih Lanjut” agar pembaca tidak mengambil isi buku ini mentah-mentah tetapi juga melakukan komparasi, penyegaran dan pengembangan informasi melalui buku-buku lain yang tidak kalah menariknya.

Bisa disimpulkan bahwa Oxford English Dictionary disusun karena kesadaran dan kecintaan masyarakat Inggris (dan bangsa lain yang terlibat tentunya) atas bahasa mereka, dan bukan sekadar memenuhi kebutuhan untuk keberadaan sebuah referensi baku. Tidak hanya sebagai monumen sejarah leksografi, OED juga merupakan monumen kebersamaan dan persatuan sekian ratus ribu relawan, yang tidak saling mengenal tetapi mereka tetap bekerja untuk mencapai tujuan mulia yang sama.